CHARLEVOIX LIGHTHOUSE UNDER LAKE MICHIGAN GAIL (1887)
๐. ๐. ๐๐๐ฒโ๐ฌ ๐๐๐ง๐๐ฆ๐๐ซ๐ค ๐๐ก๐จ๐จ๐ญ ๐จ๐ ๐๐ก๐๐ซ๐ฅ๐๐ฏ๐จ๐ข๐ฑโ๐ฌ
๐๐ข๐ ๐ก๐ญ๐ก๐จ๐ฎ๐ฌ๐ ๐ฎ๐ง๐๐๐ซ ๐๐๐ฅ๐ ๐๐ข๐ง๐๐ฌ
September 7, 1887
ย

On September 7, 1887, as a heavy gale rolled in over Lake Michigan, Daniel S. Way carried his woodโbox camera and a kit of 5ร8 dryโplate glass negatives to the beach south of Charlevoixโs lighthouse pier. Working against the rising wind, he made four remarkable exposures โ among the earliest, if not the first, known local photographs of Charlevoixโs original regulation lighthouse, pictured during a rising storm as heavy waves were breaking against the twin piers. Erected on the north pier in August 1885, the structure was then only two years old.
Way was the first local photographer to produce storm photographs at the lighthouse, a technically demanding and artistically groundbreaking effort with 1880s dryโplate equipment used in the field ย โ and the beginning of a pictorial tradition that continues today.
Way (1843โ1899), a former shipโs captain, opened Charlevoixโs first longโstanding photography business on Bridge Street around 1882. His โinstantaneousโ outdoor views chronicled the harbor, vessel traffic, Round Lakeโs development into a major port, and the townโs emergence as a regional commercial center and lively resort destination. Local newspapers followed his fieldwork closely, noting that his views showed Charlevoix as a place of striking scenery and growing appeal โ a message that was carried wherever and as far as his photographs traveled. His professional work, including fine studio portraiture, continued into the 1890s.
โCharlevoix Journal, September 22, 1887
Technical Details
Date of original exposure: September 7, 1887. Shot with a portable, tripod-mounted wooden box camera with a fixed focus lens and an instantaneous field shutter. Exposed on 5 ร 8 inch dry plate glass negatives in the field. Contact printed in the studio on photographic paper. Finished albumen prints mounted as 5 ร 7 inch cabinet cards for widespread commercial sale. Original prints and related glass plate negatives preserved at the Museum at Harsha
On this page, we explore how new digital tools can be creatively used to interpret and reimagine historic images, offering fresh ways to visualize and deepen our understanding of the past. Inspired by archival photographs from the Museumโs collections and guided by historical knowledge, these interpretations reach beyond the limits of what can be directly seen to suggest what might have been. They invite you to explore the past with curiosity, openness, and a sense of discovery โ and we hope you find them as intriguing as we do.

